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	<title>Ann Marlowe &#187; Music and Cultural Criticism</title>
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		<title>Native Son: How could David Galula have so misunderstood the Berbers?</title>
		<link>http://www.annrachelmarlowe.com/2012/01/06/native-son-how-could-david-galula-have-so-misunderstood-the-berbers/</link>
		<comments>http://www.annrachelmarlowe.com/2012/01/06/native-son-how-could-david-galula-have-so-misunderstood-the-berbers/#comments</comments>
		<pubDate>Fri, 06 Jan 2012 22:12:17 +0000</pubDate>
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				<category><![CDATA[Music and Cultural Criticism]]></category>
		<category><![CDATA[Perspectival Culture and COIN]]></category>
		<category><![CDATA[The Arab Revolt, Islam, Iraq War, War on Terror]]></category>
		<category><![CDATA[US military and COIN]]></category>

		<guid isPermaLink="false">http://www.annrachelmarlowe.com/?p=405</guid>
		<description><![CDATA[Native Son http://www.tabletmag.com/arts-and-culture/books/87345/native-son/ A Tunisia-born Jew and French officer who fought the Berbers in Algeria pioneered the counterinsurgency warfare still used in Iraq and Afghanistan By Ann Marlowe&#124;January 5, 2012 7:00 AM David Galula, a Tunisia-born Jew and French military officer who has been dead more than 40 years, was the greatest single influence on [...]]]></description>
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		<title>Pop Goes Libya: a little musical rebellion among the Amazigh</title>
		<link>http://www.annrachelmarlowe.com/2011/11/21/pop-goes-libya-a-little-musical-rebellion-among-the-amazigh/</link>
		<comments>http://www.annrachelmarlowe.com/2011/11/21/pop-goes-libya-a-little-musical-rebellion-among-the-amazigh/#comments</comments>
		<pubDate>Mon, 21 Nov 2011 06:49:34 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Libya]]></category>
		<category><![CDATA[Music and Cultural Criticism]]></category>

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		<description><![CDATA[http://www.weeklystandard.com/print/articles/pop-goes-libya_609216.html?page=2 November 28, 2011, Vol. 17, No. 11 Zuwarah, Libya This is my city and I came back again I found myself where I was born. The jam session was stirring, though it took place in the proper bourgeois living room of Khaled el Naggiar, a 55-year-old cultural activist here. Two or three young men [...]]]></description>
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		<title>After Gadhafi, Hope for Modernity (orig. pub. in WSJ, 11/2/2011)</title>
		<link>http://www.annrachelmarlowe.com/2011/11/16/after-gadhafi-hope-for-modernity-orig-pub-in-wsj-1122011/</link>
		<comments>http://www.annrachelmarlowe.com/2011/11/16/after-gadhafi-hope-for-modernity-orig-pub-in-wsj-1122011/#comments</comments>
		<pubDate>Wed, 16 Nov 2011 09:57:26 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Archeology & Heritage]]></category>
		<category><![CDATA[Libya]]></category>
		<category><![CDATA[Music and Cultural Criticism]]></category>

		<guid isPermaLink="false">http://www.annrachelmarlowe.com/?p=396</guid>
		<description><![CDATA[ARTS &#038; ENTERTAINMENT NOVEMBER 2, 2011 After Gadhafi, Hope for Modernity http://online.wsj.com/article/SB10001424052970204528204577008601153277034.html Tripoli, Libya &#8216;Now we have to hurry to do everything we want. Everyone from his place. Me, from this museum.&#8221; Fatheia al Howasi, the director of Libya&#8217;s National Museum since 2007, is soft-spoken, determined, and refreshingly honest in her serviceable English. She is [...]]]></description>
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		<title>Afghanistan: America&#8217;s War of Perception (from Policy Review)</title>
		<link>http://www.annrachelmarlowe.com/2011/06/05/afghanistan-americas-war-of-perception-from-policy-review/</link>
		<comments>http://www.annrachelmarlowe.com/2011/06/05/afghanistan-americas-war-of-perception-from-policy-review/#comments</comments>
		<pubDate>Sun, 05 Jun 2011 22:42:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Afghanistan]]></category>
		<category><![CDATA[Music and Cultural Criticism]]></category>
		<category><![CDATA[Perspectival Culture and COIN]]></category>

		<guid isPermaLink="false">http://www.annrachelmarlowe.com/?p=340</guid>
		<description><![CDATA[In the days before he was forced into retirement by scandal, General Stanley McChrystal was fond of referring to the Afghan theater he commanded as a “war of perceptions.” In February he spoke to the Washington Post: “This is all a war of perceptions,” McChrystal said on the eve of the Marja offensive. “This is [...]]]></description>
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		<title>Bohemian Rhapsody (orig. published in The Weekly Standard, 4/18/2011)</title>
		<link>http://www.annrachelmarlowe.com/2011/05/02/bohemian-rhapsody-orig-published-in-the-weekly-standard-4182011/</link>
		<comments>http://www.annrachelmarlowe.com/2011/05/02/bohemian-rhapsody-orig-published-in-the-weekly-standard-4182011/#comments</comments>
		<pubDate>Mon, 02 May 2011 07:30:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music and Cultural Criticism]]></category>
		<category><![CDATA[Women, money and power / the social side of economics]]></category>

		<guid isPermaLink="false">http://www.annrachelmarlowe.com/?p=333</guid>
		<description><![CDATA[Bohemian Rhapsody A backward look at the Manhattan hipster life. Ann Marlowe April 18, 2011, Vol. 16, No. 30 Art and Madness A Memoir of Lust Without Reason by Anne Roiphe Nan A. Talese, 240 pp., $24.95 Seventy-five-year-old Anne Roiphe’s short, incandescent fourth memoir doesn’t read like an older writer’s book, but it explores obsessively [...]]]></description>
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		<title>Face of Libya’s Revolution (orig. published in Daily Beast, 4/18/11)</title>
		<link>http://www.annrachelmarlowe.com/2011/04/22/face-of-libyas-revolution-orig-published-in-daily-beast-41811/</link>
		<comments>http://www.annrachelmarlowe.com/2011/04/22/face-of-libyas-revolution-orig-published-in-daily-beast-41811/#comments</comments>
		<pubDate>Fri, 22 Apr 2011 13:27:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Libya]]></category>
		<category><![CDATA[Music and Cultural Criticism]]></category>
		<category><![CDATA[The Arab Revolt, Islam, Iraq War, War on Terror]]></category>

		<guid isPermaLink="false">http://www.annrachelmarlowe.com/?p=331</guid>
		<description><![CDATA[http://www.thedailybeast.com/blogs-and-stories/2011-04-18/libya-revolution-the-young-bohemian-face-of-the-uprising-in-benghazi/# The Face of Libya&#8217;s Revolution by Ann Marlowe It’s not a freedom fighter atop a tank but a young bohemian woman in Benghazi reviving a carnival banned by Gaddafi and singing songs of protest. Ann Marlowe reports on an extraordinary utopian moment in the free city. The most interesting news here in Free Libya [...]]]></description>
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		<title>Lament of a boho-con: Why can&#8217;t we on the right be cool?</title>
		<link>http://www.annrachelmarlowe.com/2011/03/27/lament-of-a-boho-con-why-cant-we-on-the-right-be-cool/</link>
		<comments>http://www.annrachelmarlowe.com/2011/03/27/lament-of-a-boho-con-why-cant-we-on-the-right-be-cool/#comments</comments>
		<pubDate>Sun, 27 Mar 2011 08:01:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music and Cultural Criticism]]></category>

		<guid isPermaLink="false">http://www.annrachelmarlowe.com/?p=323</guid>
		<description><![CDATA[Originally published in The Daily, 3/17/11 http://bit.ly/fc8NNS By Ann Marlowe During the 2008 presidential campaign, guitarist Tom Scholtz of the band Boston blasted Mike Huckabee for using Boston&#8217;s song “More than a Feeling” on the campaign trail, saying that he, Scholtz, was an Obama supporter. John McCain stopped using populist rocker John Mellencamp’s “Our Country” [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>In Plain Sight The evolutionary instinct to disguise and deceive</title>
		<link>http://www.annrachelmarlowe.com/2010/03/02/in-plain-sight-the-evolutionary-instinct-to-disguise-and-deceive/</link>
		<comments>http://www.annrachelmarlowe.com/2010/03/02/in-plain-sight-the-evolutionary-instinct-to-disguise-and-deceive/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 06:13:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music and Cultural Criticism]]></category>

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		<description><![CDATA[http://www.weeklystandard.com/articles/plain-sight Dazzled and Deceived Mimicry and Camouflage by Peter Forbes Yale, 304 pp., $27.50 When I began Dazzled and Deceived I was disappointed to see that I’d have to read five chapters on mimicry in the natural world before I got to my particular interest, military camouflage in the First and Second World Wars. Five [...]]]></description>
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		<title>The Most Neo-Con Movie Ever Made</title>
		<link>http://www.annrachelmarlowe.com/2009/12/23/the-most-neo-con-movie-ever-made/</link>
		<comments>http://www.annrachelmarlowe.com/2009/12/23/the-most-neo-con-movie-ever-made/#comments</comments>
		<pubDate>Thu, 24 Dec 2009 01:37:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music and Cultural Criticism]]></category>
		<category><![CDATA[US military and COIN]]></category>

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		<description><![CDATA[http://www.forbes.com/2009/12/23/avatar-neo-con-military-opinions-contributors-ann-marlowe.html James Cameron&#8217;s new sci-fi film Avatar is exhilarating fun in the darkest days at the end of a depressing year, but it also says quite a lot, in an inchoate, American way, about the cultural moment. You should see it especially if you are &#8220;right of center&#8221; or conservative. Forget the sneering reviews&#8211;this is [...]]]></description>
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		<title>Cool Gone Cold</title>
		<link>http://www.annrachelmarlowe.com/2009/11/03/cool-gone-cold/</link>
		<comments>http://www.annrachelmarlowe.com/2009/11/03/cool-gone-cold/#comments</comments>
		<pubDate>Tue, 03 Nov 2009 06:47:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music and Cultural Criticism]]></category>

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		<description><![CDATA[ http://www.weeklystandard.com/Content/Public/Articles/000/000/017/140fzwgq.asp The Birth (and Death) of the Cool By Ted Gioia Reading Ted Gioia&#8217;s dust-jacket credits (&#8220;Best-selling author of The History of Jazz and Delta Blues&#8221;), readers may think this book is about jazz or pop culture. It is&#8211;and Gioia has written an intellectually precise, lively, and imaginative account of &#8220;the cool&#8221; and its role [...]]]></description>
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